The Dybbukast

What do poems, plays, and other creative texts from throughout history tell us about the times in which they were written? And what do they reveal about the forces still at play in our contemporary societies?  

Jewish communities, for a good deal of recorded time, have been spread across much of the globe, often existing as minority groups within a variety of dominant cultures. As such, the creative works generated, read, and listened to in these communities can provide glimpses into the ways in which people navigate challenging cultural waters.

Through a combination of performed readings and interviews with artists and scholars, The Dybbukast brings these creations and their historical contexts to life, all while revealing their relationships to issues still present today.

You can find all of the episodes from our first season below as well as wherever you listen to podcasts.

We'll be back with Season 2 in November, 2021.

Season 1

Episode 9: "The Book of Bovo"

Bovo-Buch is Elia Levita's 16th century Yiddish treatment of the popular Italian chivalric romance Buovo d’Antona. Chivalric romances, popular in the aristocratic circles of High Medieval and Early Modern Europe, are narratives which celebrate courtly love and manners and most often feature the adventures of heroic knights going on quests. Bovo-Buch, which was extremely popular among Ashkenazi Jewish communities of the time, adopts and adapts this form to its own purposes and is an example of the convergence that occurs when a narrative is introduced into a new cultural context.

Dr. Erith Jaffe-Berg, Professor of theatre at the Department of Theatre, Film and Digital Production, University of California at Riverside, explains the cultural collision inherent in the book and illuminates its historical context. 

This extended episode is a reimagining of a three-episode series titled “Bovo-Buch: Chivalric Romance, Cultural Collision,” which we originally presented in September 2020 on Judaism Unbound.

THE TEAM

Hosted by Aaron Henne

Scholarship provided by Erith Jaffe-Berg, PhD

Edited by Mark McClain Wilson

Story editing by Clay Steakley with Aaron Henne and Julie A. Lockhart

Featuring the voices of Joshua Wolf Coleman, Joe Jordan, Julie A. Lockhart, Rebecca Rasmussen, Clay Steakley, Diana Tanaka, and Mark McClain Wilson, with Yiddish from the original text read by Miri Koral of the California Institute for Yiddish Culture and Language

Theme music composed by Michael Skloff and produced by Sam K.S.

Transcription by Dylan Southard

EPISODE 9 TRANSCRIPTION

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"The Book of Bovo" Learning Resources

Learn more about:

• Elia Levita

• Bovo-Buch, translation by Jerry C. Smith

• read the complete text of Bevis of Hampton

• Jewish Printing and Publishing before 1800

• Women of 16th Century Venice

• Venice and the Islamic World, 828–1797

Also referenced in the episode:

• Cultural Intermediaries: Jewish Intellectuals in Early Modern Italy, Edited by David B. Ruderman and Giuseppe Veltri

• about Claudia Rosenzweig, PhD's translation and commentary on Bovo D'Antona

• Chava Turniansky, PhD

• Erika Timm, PhD

• Egidio da Viterbo

• Georges De Selve

• Francis (Francois) I, King of France

• Ludovico Ariosto

• Pietro Aretino

Also From Our Artists

A Long Time Ago...

To accompany the episode, we invite you to enjoy a piece of video art by theatre dybbuk's resident lighting designer, Brandon Baruch. In the video, you can see the lighting scheme that Brandon designed to accompany text taken from Jerry C. Smith's English translation of Bovo-Buch, as read by actors Joshua Wolf Coleman, Joe Jordan, and Diana Tanaka. 

Episode 8: "In Defense of Women"

Written in Italy in the 16th century by Jewish dramatist Leone De' Sommi Portaleone, who also wrote what is considered to be the oldest extant Hebrew-language play, the poem "In Defense of Women" touches on the role of women in drama and reveals a great deal about the cultural considerations and power dynamics of this time when women were coming to the fore on the theatrical stages of Northern Italy, Rome, and Venice in the professional world of the commedia dell’arte.

Intercut with selections from the poem and other works of the era performed by theatre dybbuk actors, Dr. Erith Jaffe-Berg, Professor of theatre at the Department of Theatre, Film and Digital Production, University of California at Riverside, guides us through the text's meaning and its relevance to both historical and contemporary issues of equity and belonging.

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The live recording from which this episode was created was presented on May 20, 2021 in collaboration with San Diego Repertory’s Lipinsky Family San Diego Jewish Arts Festival (JFEST), with scholar and student participation from the Department of Theatre, Film and Digital Production at the University of California, Riverside.

This episode is made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs.

THE TEAM

Hosted by Aaron Henne

Scholarship provided by Erith Jaffe-Berg, PhD

Translation of "Magen Nashim" and other featured texts by Erith Jaffe-Berg, PhD 

Italian translation assistance by Dylan Southard

Additional Italian and Hebrew provided by Erith Jaffe-Berg, PhD

Yiddish provided by Miri Koral of the California Institute for Yiddish Culture and Language

Edited by Mark McClain Wilson

Story editing by Aaron Henne with Julie A. Lockhart

Featuring the voices of Julie A. Lockhart, Clay Steakley, Diana Tanaka, and Jonathan C.K. Williams

Theme music composed by Michael Skloff and produced by Sam K.S.

Additional assistance on the theatrical performance from which this episode was recorded provided by Lily Hart and theatre dybbuk’s producing director, Flori Schutzer

Transcription by Dylan Southard

"In Defense of Women" Learning Resources

Learn more about:

• Leone De' Sommi

• Jewish History in Mantua

• Jewish History in Italy

• commedia dell'arte

Also referenced in the episode:

• Pope Paul IV, "Cum Nimis Absurdum"

• Martin Luther, "The Jews and Their Lies"

• scholar Joan Kelly, PhD

• scholar Rosalind Kerr, PhD

• scholar Julie Campbell, PhD

• performer Isabella Andreini

• performer Barbara Flaminia

• singer Madama Europa

• Machiavelli's Mandragola

• Commedia dell' Arte and the Mediterranean by Erith Jaffe-Berg, PhD

Also From Our Artists

Commedia in Costume

To accompany the episode, theatre dybbuk's resident costume designer, Kathryn Poppen, has created designs for two of the characters from Machiavelli's Mandragola, a play that is referenced in the episode and which is a good example of theatrical work of the 16th century in Italy. In the gallery below you can see mood boards and costume designs for Callimaco, the lover, as he might be played by Julie A. Lockhart, and Siro, his servant, as he might be played by Diana Tanaka.

While the commedia dell'arte of Northern Italy, Venice, and Rome did feature female actors, it was still a common practice in this era for male actors to play all the roles, including the female ones. Here, Kathryn's sketches showcase women playing the male roles, reversing this once standard practice.

Episode 7: "Unetaneh Tokef for Black Lives"

In Episode 7, presented in collaboration with Lilith Magazine, we share performed readings from and explore issues intersecting with a piece of writing published in Lilith in 2020 titled “Unetaneh Tokef for Black Lives.” The work takes a liturgical poem which speaks about the nature of existence and is central to the Jewish High Holidays and builds upon it, reimagining it to speak about the killing of Black people in the U.S.

Imani Romney-Rosa Chapman, the founder and director of imani strategies and author of the piece, talks about the work itself while also discussing related historical and societal considerations.

THE TEAM

Hosted by Aaron Henne

Scholarship provided by the work's author, Imani Romney-Rosa Chapman

Edited by Mark McClain Wilson

Story editing by Aaron Henne with Julie A. Lockhart

Featuring the voices of Cassandra Blair, Joshua Wolf Coleman, Julie A. Lockhart, Rebecca Rasmussen, Clay Steakley, Diana Tanaka, Jonathan C.K. Williams, and Mark McClain Wilson

Theme music composed by Michael Skloff and produced by Sam K.S.

Additional thanks to Kellie Davis for her contributions to this episode.

Transcription by Dylan Southard

"Unetaneh Tokef for Black Lives" Learning Resources

Articles from Lilith Magazine:

• “Unetaneh Tokef for Black Lives” by Imani Romney-Rosa Chapman

• "We are Dying Because of the Fears of White People" by Dena Robinson

• "Where Was the 'Peace' 400 Years Ago?" by Makeda Zabot-Hall

• "Connecting Jewish Tradition with Black Fugitive Legacies" Chanel Dubofsky interviews artist Jessica Valoris 

Referenced in the episode:

• About the Unetaneh Tokef

• Rabbi Professor David Golinkin on Unetaneh Tokef

• Teshuvah in the High Holidays

• John Punch sentenced to slavery in 1640

• George Washington and his letter to the Jews of Newport

• "The Challenge of the Selma Photograph" by Susanna Heschel, PhD

• "Counting Inconsistencies" study

• The Jews of Color Initiative

• Shahanna Mckinney-Baldon

• Bryan Stevenson

• The People’s Institute for Survival and Beyond

Independent, Jewish & frankly feminist since 1976, Lilith’s mission is to be the feminist change-agent in and for the Jewish community: amplifying Jewish feminist voices, creating an inclusive and positive Judaism, spurring gender consciousness in the Jewish world and empowering women, girls and trans and nonbinary people of every background to envision and enact change in their own lives and the larger community.

Episode 6: "How to Hide"

In this episode, presented in collaboration with Lilith Magazine, we share excerpts from and explore issues intersecting with a creative non-fiction essay published in Lilith in 1994 titled “How to Hide: Instructions from a Daughter of Survivors.” The work describes how certain perspectives and life behaviors, influenced by their parents' experiences in the Holocaust, show up for the children of survivors. 

Karen Propp, the author of the essay, shares her experiences and points of inspiration for the piece, and Dr. Laura Levitt, a professor of religion, Jewish studies and gender at Temple University, takes us through the ways in which our public discourse around the Holocaust evolved while also discussing relationships to historical trauma.

THE TEAM

Hosted by Aaron Henne

Scholarship provided by Dr. Laura Levitt and the essay’s author, Karen Propp

Edited by Mark McClain Wilson

Story editing by Aaron Henne with Julie A. Lockhart

Featuring the voice of Rebecca Rasmussen

Theme music composed by Michael Skloff and produced by Sam K.S.

Transcription by Dylan Southard

"How to Hide" Learning Resources

Articles from Lilith Magazine:

• “How to Hide: Instructions from a Daughter of Survivors” by Karen Propp

• "Notes from Underground: A Gathering of Children Hidden During the Holocaust" by Susan Schnur

• "She Fought Back – An Interview with Vilna Partisan Vitke Kempner" by Aviva Cantor

• "Recovering Memory" by Eva Metzger Brown

• "What’s Embedded in Once-Ordinary Objects Brushed by Violence?" by Laura Levitt

Referenced in the episode:

• One Generation After by Elie Wiesel

• Stranger at Home by Jacob Neusner

• Hogan's Heroes

• We Remember with Reverence and Love by Hasia Diner

• theologian Eugene Borowitz

• Beloved by Toni Morrison

• Schindler's List

• The Shoah Foundation Visual History Archives

• The Fortunoff Archive for Holocaust Testimonies

• The Generation of Postmemory by Marianne Hirsch

• American Jewish Loss after the Holocaust by Laura Levitt

• United States Holocaust Memorial Museum

• National Museum of African American History and Culture

• National Museum of the American Indian

Independent, Jewish & frankly feminist since 1976, Lilith’s mission is to be the feminist change-agent in and for the Jewish community: amplifying Jewish feminist voices, creating an inclusive and positive Judaism, spurring gender consciousness in the Jewish world and empowering women, girls and trans and nonbinary people of every background to envision and enact change in their own lives and the larger community.

Also From Our Artists

Hidden

To accompany the episode, we invite you to experience a piece of shadow art created by theatre dybbuk artist Leslie K. Gray. “Hidden” is a response to Karen Propp’s “How to Hide: Instructions from a Daughter of Survivors,” and it reflects the themes explored in the essay as well as the experiences of Leslie's own family with the Japanese American Internment. The hands in the artwork are maneuverable; you can see them photographed in three different positions in the gallery below.

Episode 5: "The Protocols, Henry Ford, and The International Jew"

This special podcast episode, co-produced with the Association for Jewish Studies, explores Henry Ford’s publication of The International Jew: The World's Foremost Problem, a four volume series containing newspaper articles which were originally published from 1920-1922. These writings were based on – and included elements of – the notorious, fraudulent text “The Protocols of the Elders of Zion.”

Dr. Pamela Nadell, professor of Jewish history and director of the Jewish Studies Program at American University, and Dr. Lisa Leff, professor of European and Jewish history at American University, join co-hosts Aaron Henne and Jeremy Shere to examine the ways in which The International Jew intersected with historical antisemitism and the political forces of the time, and how its legacy is still having an impact today.

THE TEAM

Hosted by Jeremy Shere, PhD and Aaron Henne

Scholarship provided by Pamela Nadell, PhD and Lisa Leff, PhD

Edited by Jeremy Shere with additional editing by Mark McClain Wilson

Story editing by Aaron Henne and Jeremy Shere with Julie A. Lockhart and Warren Hoffman, PhD.

Featuring the voices of Joshua Wolf Coleman, Joe Jordan, Julie A. Lockhart, Clay Steakley, and Diana Tanaka

Theme music composed by Michael Skloff and produced by Sam K.S.

Transcription by Dylan Southard

"The Protocols, Henry Ford, and The International Jew" Learning Resources

Learn more about:

• "The Protocols" from the Atlantic article "The Conspiracy Theory to Rule Them All"

• "The Protocols" from the Primary Source podcast

• Henry Ford, The Dearborn Independent, and The International Jew

• The Russian Revolution

• Timeline of American Jewish History

Referenced in the episode:

• Statement by Henry Ford, and more about Ford's apology

• 1923 article referencing Adolf Hitler and Henry Ford

• Ford Motor Company and unionization

• General Orders No. 11

• Immigration Act of 1924

• The Dreyfus Affair

• Arrival and treatment of Jews in New Amsterdam

• Harvard President Lowell's quotas

• Martin Luther and antisemitism

The Association for Jewish Studies is a learned society and professional organization whose mission is to advance research and teaching in Jewish Studies at colleges, universities, and other institutions of higher learning, and to foster greater understanding of Jewish Studies scholarship among the wider public.

Launched in 2018, the Adventures in Jewish Studies series produces seven episodes annually. Each episode features the voices of AJS members as they share their expertise and research with listeners.

Also From Our Artists: "A Fine Ford Vehicle"

Bonus Episode

In Episode 5, we examined Henry Ford’s publication, The International Jew, and its relationship to “The Protocols.” In this bonus episode, we’re sharing a scene that explores elements of Ford’s publication from our latest theatrical work – still in development – breaking protocols. Set in the 1940s, breaking protocols explores the history behind "The Protocols of the Elders of Zion" by presenting it in the context of a vaudevillian entertainment.

In this sequence, you can hear two members of the vaudeville troupe take on the roles of Henry Ford and a spokesmodel as they present the ideas from The International Jew as though demonstrating a new Ford automobile in a 1920s advertisement.

Episode 4: "The Murdered Jewess"

Episode 4, presented in collaboration with The Contemporary Jewish Museum, explores two murder pamphlets, "The Murdered Jewess Sara Alexander: Life, Trial and Conviction of Rubenstein the Polish Jew" and "Rubenstein, or The Murdered Jewess: Being a Full and Reliable History of This Terrible Mystery of Blood.” Published in 1876, both pamphlets tell the tale of Pesach Rubenstein, a Jewish immigrant who was convicted of killing his cousin, Sara Alexander, and disposing of her body in a cornfield. The case was a sensation in the press and took hold of the popular imagination.

Dr. Eddy Portnoy, Academic Advisor and Director of Exhibitions at the YIVO Institute for Jewish Research and author of Bad Rabbi and Other Strange but True Stories from the Yiddish Press (Stanford University Press 2017), discusses the story behind the pamphlets as the first significant intersection of Jews, the local and national press, and the American judicial system.

THE TEAM

Hosted by Aaron Henne

Scholarship provided by Eddy Portnoy, PhD

Edited by Mark McClain Wilson

Story editing by Aaron Henne with Julie A. Lockhart

Featuring the voices of Julie A. Lockhart, Clay Steakley, Rebecca Rasmussen, Diana Tanaka, and Mark McClain Wilson

Theme music composed by Michael Skloff and produced by Sam K.S.

Transcription by Dylan Southard

"The Murdered Jewess" Learning Resources

Learn more about:

• The History of the Jewish Press in North America

• Three Waves of Jewish Immigration to America

• The complete text from "The Murdered Jewess Sara Alexander: Life, Trial and Conviction of Rubenstein the Polish Jew"

• "Rubenstein’s Trial; Strong Circumstantial Evidence Against The Prisoner” from the New York Times in 1876

Referenced in the episode:

• The First Jewish Lynching in America

• Our Gang: Jewish Crime and the New York Jewish Community, 1900-1940 by Jenna Weissman Joselit

• But He Was Good to His Mother: The Lives and Crimes of Jewish Gangsters by Robert A. Rockaway

• Bad Rabbi And Other Strange but True Stories from the Yiddish Press by Eddy Portnoy

Presented in collaboration with The Contemporary Jewish Museum.

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The CJM makes the diversity of the Jewish experience relevant for a twenty-first century audience and aims to be an engaging forum for diverse audiences where new perspectives on Jewish culture, history, art, and ideas thrive.

Also From Our Artists

Dressing the Story

To accompany the episode, theatre dybbuk's resident costume designer, Kathryn Poppen, has created designs for two of the characters in the tale as they might be played by our two main readers in the episode. In the gallery below you can see costume designs for Sara Alexander, as she might be played by Julie A. Lockhart, and for Detective Zundt, as he might be played by Clay Steakley.

Episode 3: "The Death of My Aunt"

Episode 3, presented in collaboration with the Yiddish Book Center, investigates "The Death of My Aunt," a short story written in Yiddish by Blume Lempel and published in 1975. The story moves through time and space as a woman whose aunt has died deals with mourning the loss of this figure whose past came to life as her present grew dim.

Ellen Cassedy and Yermiyahu Ahron Taub, whose book Oedipus in Brooklyn and Other Stories includes their English translations of this and many other of Lempel's stories, reveal the intricacies contained within the narrative and discuss the ways in which it touches on immigrant experiences, emotional dislocation, and familial connection.

THE TEAM

Hosted by Aaron Henne

Scholarship provided by Ellen Cassedy and Yermiyahu Ahron Taub

Edited by Mark McClain Wilson

Story editing by Aaron Henne with Julie A. Lockhart

Featuring the voices of Julie A. Lockhart, Clay Steakley, Diana Tanaka, and Mark McClain Wilson, with Yiddish from the original text read by Miri Koral of the California Institute for Yiddish Culture and Language

Theme music composed by Michael Skloff and produced by Sam K.S.

Transcription by Dylan Southard

"The Death of My Aunt" Learning Resources

“The Death of My Aunt” is featured in its English translation in the book, Oedipus in Brooklyn and Other Stories, published by Mandel Vilar Press and Dryad Press. The book is available, with free shipping to anywhere in the United States, from either of these publishers. More information can be found at www.dryadpress.com or www.mvpublishers.org.

Learn more about:

• Blume Lempel, from the translators

• Refugee migration to the United States - World War II

• Immigration policies - World War II

• Yiddish Literature in the United States from the Jewish Women's Archive

• Celebrating Yiddish Women Writers

Other authors referenced in the episode:

• Chava Rosenfarb

• Avrom Sutzkever

• Chaim Grade

The Yiddish Book Center is a nonprofit organization working to recover, celebrate, and regenerate Yiddish and modern Jewish literature and culture. The million books recovered by the Yiddish Book Center represent Jews’ first sustained literary and cultural encounter with the modern world.

Since its founding in 1980 the Center has launched a wide range of bibliographic, educational, and cultural programs to share these treasures with the wider world.

"Translation and The Death of My Aunt"

bonus episode

In Episode 3, we featured selections from the English translation of Blume Lempel's short story, "The Death of My Aunt," intercut with an exploration of the narrative's meanings and implications. In this bonus episode, you will hear both Ellen Cassedy's and Yermiyahu Ahron Taub's reflections on the experience of translating the story and the reading of "The Death of My Aunt" in its entirety.

Episode 2: "The Book of Enoch"

Episode 2, presented in collaboration with the Philosophical Research Society (PRS), explores The Book of Enoch, an ancient text composed during the Hellenistic period that contains tales of barbarous giants, visions of redemption, and much more.

Dr. Greg Salyer, President of PRS, takes us on a journey through the book’s structure, helping us investigate the spiritual and emotional value of apocalyptic literature as well as the recycling of mythological narratives.

THE TEAM

Hosted by Aaron Henne

Scholarship provided by Greg Salyer, PhD

Edited by Mark McClain Wilson

Story editing by Aaron Henne with Julie A. Lockhart

Featuring the voices of Rachel Leah Cohen, Joe Jordan, Julie A. Lockhart, Clay Steakley, Diana Tanaka, Jonathan C.K. Williams, and Mark McClain Wilson

Theme music composed by Michael Skloff and produced by Sam K.S.

Transcription by Dylan Southard​

"The Book of Enoch" Learning Resources

Learn more about:

• What is the Book of Enoch?

• Book of Enoch - Robert Henry Charles translation

• Hellenism and Judaism

• The Apocrypha and Pseudepigrapha

• Apocalyptic Literature in Judaism and Early Christianity

• theatre dybbuk’s interpretation of exagoge, a Hellenistic Jewish play

Also referenced in the episode:

• The Sacred Texts of Zoroastrianism

• Wovoka’s Message: The Promise of the Ghost Dance

• James Joyce’s Ulysses

• Book of Revelation

• The Myth of Osiris

• The Odyssey by Homer

• Roland Barthes’ Mythologies

Founded in 1934 by sage and scholar Manly P. Hall, the Philosophical Research Society (PRS) continues Mr. Hall’s mission to provide resources for seekers of practical and profound wisdom.

Also From Our Artists

Observe Ye

To accompany the episode, we invite you to enjoy a piece of video art by theatre dybbuk's resident lighting designer, Brandon Baruch. In the video, you can see the lighting scheme that Brandon designed to accompany the text of chapter 5 of The Book of Enoch as read by Joe Jordan. A portion of the chapter was featured in the episode; in this video you can experience it illuminated in full.

Episode 1: "I-Tell-You"

This first episode, presented in collaboration with Hebrew Union College – Jewish Institute of Religion (HUC-JIR), features selections from a children's play found in I-Tell-You, a 1926 religious school journal from Congregation Rodeph Shalom in Philadelphia. The episode also includes essays from the publication written by both students and clergy.

Dr. Miriam Heller Stern, National Director, School of Education and Associate Professor of HUC-JIR, helps us unpack the journal’s meaning and what it has to say about education, assimilation, cultural expression of identity, and the complications of community.

THE TEAM

Hosted by Aaron Henne

Scholarship provided by Miriam Heller Stern, PhD

Edited by Mark McClain Wilson

Story editing by Aaron Henne with Julie A. Lockhart

Featuring the voices of Perry Daniel, Joe Jordan, Julie A. Lockhart, Clay Steakley, Diana Tanaka, Jonathan C.K. Williams, and Mark McClain Wilson

Theme music composed by Michael Skloff and produced by Sam K.S.

Transcription by Dylan Southard​

"I-Tell-You" Learning Resources

Learn more about:

• History of Congregation Rodeph Shalom

• 1920s politics: Immigration Act of 1924, 1926 speech by President Calvin Coolidge

• History of the Jewish Reform Movement

• Assimilation in the United States (19th century)

• A take on Hanukkah's history and its cultural evolution

• Find Jonathan Sarna’s American Judaism: A History, referenced in the episode

Hebrew Union College is North America’s premier institution of Jewish higher education and the center for professional leadership development of Reform Judaism. 

HUC-JIR’s School of Education is at the vanguard of progressive Jewish educator preparation, guided by rigorous research and field-shaping thought leadership. 

"I-Tell-You...More"

bonus episode

In Episode 1, we featured portions of essays from the 1926 religious school journal I-Tell-You as well as the short play The Little Hasmoneans (also found in the journal) intercut with commentary by Dr. Miriam Heller Stern. We thought you might like to hear a continuous performance of the play and one of the student essays in full. Please enjoy the essay "How I Got My Name" by Henrietta B. Stein (grade 12)  and The Little Hasmoneans, a seven page play in three acts.

Also From Our Artists

Living Lights

Once you’ve listened to The Little Hasmoneans in “I-Tell-You,” we invite you to enjoy another theatrical interpretation of the Hanukkah story from theatre dybbuk artist Leslie K. Gray.  Leslie’s Living Lights – which she created, designed, and directed for her company Triumvirate Pi Theatre – is an all ages shadow puppet production set to music without dialogue. You can see clips of its 2011 presentation at the Skirball Cultural Center in the video below.

We'll be back with Season 2 in November, 2021.

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Season 2 of The Dybbukast is generously supported by a grant from Lippman Kanfer Foundation for Living Torah.

Thank you to the Covenant Foundation for its support of The Dybbukast and related educational resources.